Betekenissen van CAM, TS, R5, DVDscr, Xvid etc.

[Fuwa Fuwa]

Engelse versie onderaan (naar beneden scrollen)



NL vertaling (nog niet helemaal af)
Ik heb maar even de "belangrijke" uitgehaald, R5 omschrijving werd voor mij wat te lang dus vandaar dat die er niet bij zit, sorry voor het ongemak.

Cam
Een cam is een bioscoop rip, gedaan met een digitale video camera. Een kleine driestand houder wordt ook weleens gebruikt, maar meestal is het niet mogelijk, dus de camera zal af en toe heen en weer bewegen. Ook een stand vanuit de zitplek is meestal niet rustend, en het kan ook zijn dat het vanuit een hoek is opgenomen. Als de stand goed is, dit is moeilijk te zeggen behalve als er nog tekst op het scherm tevoorschijn komt, maar meestal is het resultaat met een 3 hoekige rand aan de bovenkant en aan de onderkant van het scherm. Het geluid is opgenomen via de microfoon van de camera zelf. Vooral in comdedy films can je het gelach horen van andere mensen tijdens de film, door deze factoren is het beeld en geluidskwaliteit meestal slecht, maar soms hebben we geluk, de zaal is dan bijna leeg en het geluid komt dan beter over in de camera.


Telesync (TS)
Een telesync heeft dezelfde specificaties als de cam maar i.p.v. dat het geluid direct wordt overgebracht vanuit de speakers naar de camera wordt hier een externe geluidsbron gebruikt, het voordeel hiervan is dat het achtergrond geluid het geluid van de film niet meer kan beïnvloeden. Meesten telesync movies is gefilmd in een (bijna) lege zaal, en het is opgenomen met een professionele camera, het geeft hierdoor een beter beeldkwaliteit. De kwaliteit van deze TS films verschillen zeer erg, daarom is het handig eerst de ‘sample’ te downloaden voordat je de hele movie download. Een hoge percentage van de TS en Cams worden meestal fout gemerkt.


Telecine (TC)
Een telecine machine copieërd de film digitaal vanuit de een houder/cillinder. Geluid en beeldkwaliteit zou erg goed moeten zijn, maar doordat de kosten van het gereedschap komt het bijna niet in voor. In het algemeen zou de film een goeie schaal verdeling moeten hebben, er zijn ook TC’s die een schaalverdeling van 4:3 hebben. Een groot voorbeeld is: Jurassic Park 3 TC, gedaan in het vorige jaar. TC moet niet in verwarring gebracht worden met TimeCode.


Screener (SCR)
Een pre VHS videoband, wordt ook uitgezonden naar winkels met huur films voor promotie gebruik. Een screens is uitgerust in een VHS videoband, en heeft meestal een scherm verhouding van 4:3 (full screen).


DVD-Screener (DVDscr)
Hetzelfde gebeuren als een Screener, maar dan is het op een DVD uitgebracht, meestal is het zonder de extra’s wat normaal gesproken een DVD wel zou hebben. Meestal wordt het in deze formaten weergegeven: SVCD of DivX/Xvid.


DVDRip
Een kopie van het officiele DVD, het is mogelijk dat het een PRE retail is. (bijvoorbeeld, Star Wars episode 2) Dit zou in perfecte kwaliteit moeten zijn. De DVDrip’s worden meestal in deze formaten weergegeven: SVCD en DivX/Xvid.


VHSRip
Van een retail VHS gehaald, meestal voor de sports video’s en XXX releases (volgens mij pr0n)


(HD)TVRip
Tv afleveringen vanuit het internet (gebruik van digitale kabel/sateliet boxes zijn aanraadbaar) of PRE-AIR vanuit de satelietten signalen naar het netwerk, uitzendingen van een paar dagen eerder. Sommige programma’s zoals WWF Raw Is War hebben extra delen, en de “dark matches” en camera/commentary testen hebben meestal ook nog rips. PDTV is vanuit een digitale TV, PCI kaart gedaan, in het algemeen geeft dat het beste resultaat, en groepen hebben de neiging om het in formaat SVCD uit te geven voor deze rips. VCD/SVCD/DivX/XviD rips hebben allemaal met behulp van Tv scene’s gebruik gemaakt.

TVRip (analog), DSRip (digital satellite), PDTV (Pure Digital), HDTV (High Definition), HR.HDTV (High Resolution High Definition), 720p HDTV (High Defintion – 1280x720 resolutie –meestal is dat in een verkleinde versie van een bioscoop formaat, heb je geen resolutie van een bioscoop formaat krijg je zwarte balken van boven en beneden als je het in Fullscreen zet)


DDC
Digital Distribution Copy is een versie van een film dat in ontvangst is genomen van een film dan al te downloaden is, site’s als Netflix en dergelijke.


PPV
Pay Per View, dit is waar de movie zich ‘capped’ (iemand een correctie vertaling voor dit woord?) (genomen met een Digitale Opneem Gereedschap) van Hotels en andere organisaties, waar ze daar PPV television service hebben.


Translated by: YH
-----
Ik moet zeggen dat het wat helderder voor mij is geworden


Auteur: joeking
Bron: tehparadox




Engels

Sources

CAM
A cam is a theater rip usually done with a digital video camera. A mini tripod is sometimes used, but a lot of the time this wont be possible, so the camera make shake. Also seating placement isn't always idle, and it might be filmed from an angle. If cropped properly, this is hard to tell unless there's text on the screen, but a lot of times these are left with triangular borders on the top and bottom of the screen. Sound is taken from the onboard microphone of the camera, and especially in comedies, laughter can often be heard during the film. Due to these factors picture and sound quality are usually quite poor, but sometimes we're lucky, and the theater will be fairly empty and a fairly clear signal will be heard.


TELESYNC (TS)
A telesync is the same spec as a CAM except it uses an external audio source (most likely an audio jack in the chair for hard of hearing people). A direct audio source does not ensure a good quality audio source, as a lot of background noise can interfere. A lot of the times a telesync is filmed in an empty cinema or from the projection booth with a professional camera, giving a better picture quality. Quality ranges drastically, check the sample before downloading the full release. A high percentage of Telesyncs are CAMs that have been mislabeled.


TELECINE (TC)
A telecine machine copies the film digitally from the reels. Sound and picture should be very good, but due to the equipment involved and cost telecines are fairly uncommon. Generally the film will be in correct aspect ratio, although 4:3 telecines have existed. A great example is the JURASSIC PARK 3 TC done last year. TC should not be confused with TimeCode , which is a visible counter on screen throughoutthe film.


SCREENER (SCR)
A pre VHS tape, sent to rental stores, and various other places for promotional use. A screener is supplied on a VHS tape, and is usually in a 4:3 (full screen) a/r, although letterboxed screeners are sometimes found. The main draw back is a "ticker" (a message that scrolls past at the bottom of the screen, with the copyright and anti-copy telephone number). Also, if the tape contains any serial numbers, or any other markings that could lead to the source of the tape, these will have to be blocked, usually with a black mark over the section. This is sometimes only for a few seconds, but unfortunately on somecopies this will last for the entire film, and some can be quite big. Depending on the equipment used, screener quality can range from excellent if done from a MASTER copy, to very poor if done on an old VHS recorder thru poor captureequipment on a copied tape. Most screeners are transferred to VCD, but a few attempts at SVCD have occurred, some looking better than others.


DVD-SCREENER (DVDscr)
Same premise as a screener, but transferred off a DVD. Usually letterbox , but without the extras that a DVD retail would contain. The ticker is not usually in the black bars, and will disrupt the viewing. If the ripper has any skill, a DVDscr should be very good. Usually transferred to SVCD or DivX/XviD.


DVDRip
A copy of the final released DVD. If possible this is released PRE retail (for example, Star Wars episode 2) again, should be excellent quality. DVDrips are released in SVCD and DivX/XviD.


VHSRip
Transferred off a retail VHS, mainly skating/sports videos and XXX releases.


(HD)TVRip
TV episode that is either from Network (capped using digital cable/satellite boxes are preferable) or PRE-AIR from satellite feeds sending the program around to networks a few days earlier (do not contain "dogs" but sometimes have flickers etc) Some programs such as WWF Raw Is War contain extra parts, and the "dark matches" and camera/commentary tests are included on the rips. PDTV is capped from a digital TV PCI card, generally giving the best results, and groups tend to release in SVCD for these. VCD/SVCD/DivX/XviD rips are all supported by the TV scene.

TVRip (analog), DSRip (Digital Satellite), PDTV (Pure Digital), HDTV (High Definition), HR.HDTV (High Resolution High Definition), 720p HDTV (High Definition - 1280x720 resolution)

DDC
Digital Distribution Copy is a version of a movie that has been obtained from a Downloadable movie site such as Netflix and others.

PPV
Pay Per View, this is where the movie is capped(captured with Digital Recording Equipment) from Hotels and other Organisations which provide a PPV television service.


WORKPRINT (WP)
A workprint is a copy of the film that has not been finished. It can be missing scenes, music, and quality can range from excellent to very poor. Some WPs are very different from the final print (Men In Black is missing all the aliens, and has actors in their places) and others can contain extra scenes (Jay and Silent Bob) . WPs can be nice additions to the collection once a good quality final has been obtained.


DivX Re-Enc
A DivX re-enc is a film that has been taken from its original VCD source, and re-encoded into a small DivX file. Most commonly found on file sharers, these are usually labeled something like Film.Name.Group(1of2) etc. Common groups are SMR and TND. These aren't really worth downloading, unless you're that unsure about a film u only want a 200mb copy of it. Generally avoid.


Watermarks
A lot of films come from Asian Silvers/PDVD (see below) and these are tagged by the people responsible. Usually with a letter/initials or a little logo, generally in one of the corners. Most famous are the "Z" "A" and "Globe" watermarks.


Asian Silvers / PDVD
These are films put out by eastern bootleggers, and these are usually bought by some groups to put out as their own. Silvers are very cheap and easily available.


R5
R5 refers to a specific format of DVD released in DVD Region 5, the former Soviet Union, and bootlegged copies of these releases that are distributed on the Internet. In an effort to compete with movie piracy, the movie industry chose to create a new format for DVD releases that could be produced more quickly and less expensively than traditional DVD releases. R5 releases differ from normal releases in that they are a direct Telecine transfer ofthe film without any of the image processing common on DVD releases, and without any special features. This allows the film to be released for sale at the same time that DVD Screeners are released. Since DVD Screeners are the chief source of high-quality pirated movies, this allows the movie studios to beat the pirates to market. In some cases, R5 DVDs may be released without an English audio track, requiring pirates to use the direct line audio fromthe film 's theatrical release. In this case, the pirated release is tagged with ".LINE" to distinguish it from a release with a DVD audio track.

The image quality of an R5 release is generally comparable to a DVD Screener release, except without the added scrolling text and black and white scenes that serve to distinguish screeners from commercial DVD releases. The quality is better than Telecine transfers produced by movie pirates because the transfer is performed usingprofessional-grade film scanningequipment.

Because there is no scene release standard for pirated R5 releases, they were variably tagged as Telecines, DVD Screeners, or even DVD rips. In late 2006, several release groups such as DREAMLiGHT, mVs, and PUKKA began tagging R5 releases with ".R5" or r5 line (the line meaning it has direct english line audio) and suggesting that other groups do the same.


Formats


VCD
VCD is an mpeg1 based format, with a constant bitrate of 1150kbit at a resolution of 352x240 (NTCS). VCDs are generally used for lower quality transfers (CAM/TS/TC/Screener(VHS)/TVrip(analogue) in order to make smaller file sizes, and fit as much on a single disc as possible. Both VCDs and SVCDs are timed in minutes, rather than MB, so when looking at an mpeg, it may appear larger than the disc capacity, and in reality u can fit 74min on a CDR74.


SVCD
SVCD is an mpeg2 based (same as DVD) which allows variable bit-rates of up to 2500kbits at a resolution of 480x480 (NTSC) which is then decompressed into a 4:3 aspect ratio when played back. Due to the variable bit-rate, the length you can fit on a single CDR is not fixed, but generally between 35-60 Mins are the most common. To get a better SVCD encode using variable bit-rates, it is important to use multiple "passes". this takes a lot longer, but the results are far clearer.


XVCD/XSVCD
These are basically VCD/SVCD that don't obey the "rules". They are both capable of much higher resolutions and bit-rates, but it all depends on the player to whether the disc can be played. X(S)VCD are total non-standards, and are usually for home-ripping by people who don't intend to release them.


DivX / XviD
XviD & DivX are the most commonly used codecs for encoding movies. DivX used to be the most popular, until it went from open source to a corporation that bought the rights & started charging for it (although the crack can easily be obtained for the DivX encoder, most people have switched to XviD, not only because it is open source, but also because it is superior in many ways). In the last year or so, many stand-alone DVD players have been released that are capable of playing DivX/XviD movies (even on CDRs), which has made this the most popular form of encoding. The majority of XviD/DivX rips are taken from DVDs, and are generally in as good quality as possible that can fit on one 700MB CDR disc, which is why most XviD/DivX movies are almost exactly 700MB, so they can be burnt onto a CDR & played in these new DVD players (which can be purchased just about anywhere for as little as $30-$40 USD). Various codecs exist, the most popular at the moment being the new XviD 1.2 codec. DivX encoded movies will definitely play on these new DVD players, & it only takes a little simple tweaking by the ripper to ensure XviDs will play on them as well, but it is therefore not guaranteed. (If you want to learn more about XviD/DivX encoding so you can make your own DVDrips, just visit doom9.org)


x264
x264 is a free software library for encoding H.264/MPEG-4 AVC video streams. (More to come.)


CVD
CVD is a combination of VCD and SVCD formats, and is generally supported by a majority of DVD players. It supports MPEG2 bit-rates of SVCD, but uses a resolution of 352x480(ntsc) as the horizontal resolution is generally less important. Currently no groups release in CVD.


DVDR
Is the recordable DVD solution that seems to be the most popular (out of DVD-RAM, DVD-R and DVD+R). it holds 4.7gb of data per side, and double sided discs are available, so discs can hold nearly 10gb in some circumstances. SVCD mpeg2 images must be converted before they can be burnt to DVD-R and played successfully. DVD>DVDR copies are possible, but sometimes extras/languages have to be removed to stick within the available 4.7gb.


MiniDVD
MiniDVD/cDVD is the same format as DVD but on a standard CDR/CDRW. Because of the high resolution/bit-rates, its only possible to fit about 18-21 mins of footage per disc, and the format is only compatible with a few players.



Scene Tags


PROPER
Due to scene rules, whoever releases the first Telesync has won that race (for example). But if the quality of that release is fairly poor, if another group has another telesync (or the same source in higher quality) then the tag PROPER is added to the folder to avoid being duped. PROPER is the most subjective tag in the scene, and a lot of people will generally argue whether the PROPER is better than the original release. A lot of groups release PROPERS just out of desperation due to losing the race. A reason for the PROPER should always be included in the NFO.


SUBBED
In the case of a VCD, if a release is subbed, it usually means it has hard encoded subtitles burnt throughout the movie. These are generally in malaysian/chinese/thai etc, and sometimes there are two different languages, which can take up quite a large amount of the screen. SVCD supports switch able subtitles, so some DVDRips are released with switch able subs. This will be mentioned in the NFO file if included.


UNSUBBED
When a film has had a subbed release in the past, an Unsubbed release may be released


LIMITED
A limited movie means it has had a limited theater run, generally opening in less than 250 theaters, generally smaller films (such as art house films) are released as limited.


INTERNAL
An internal release is done for several reasons. Classic DVD groups do a lot of .INTERNAL. releases, as they wont be dupe'd on it. Also lower quality theater rips are done INTERNAL so not to lower the reputation of the group, or due to the amount of rips done already. An INTERNAL release is available as normal on the groups affiliate sites, but they can't be traded to other sites without request from the site ops. Some INTERNAL releases still trickle down to IRC/Newsgroups, it usually depends on the title and the popularity. Earlier in the year people referred to Centropy going "internal". This meant the group were only releasing the movies to their members and site ops. This is in a different context to the usual definition.


STV
Straight To Video. Was never released in theaters, and therefore a lot of sites do not allow these.


ASPECT RATIO TAGS
These are *WS* for widescreen (letterbox) and *FS* for Fullscreen.


RECODE
A recode is a previously released version, usually filtered through TMPGenc to remove subtitles, fix color etc. Whilst they can look better, its not looked upon highly as groups are expected to obtain their own sources.


REPACK
If a group releases a bad rip, they will release a Repack which will fix the problems.


NUKED
A film can be nuked for various reasons. Individual sites will nuke for breaking their rules (such as "No Telesyncs") but if the film has something extremely wrong with it (no soundtrack for 20mins, CD2 is incorrect film/game etc) then a global nuke will occur, and people trading it across sites will lose their credits. Nuked films can still reach other sources such as p2p/usenet, but its a good idea to check why it was nuked first in case. If a group realise there is something wrong, they can request a nuke.

NUKE REASONS :: this is a list of common reasons a film can be nuked for (generally DVDRip)

** BAD A/R ** :: bad aspect ratio, ie people appear too fat/thin
** BAD IVTC ** :: bad inverse telecine. process of converting framerates was incorrect.
** INTERLACED ** :: black lines on movement as the field order is incorrect.


DUPE
Dupe is quite simply, if something exists already, then theres no reason for it to exist again without proper reason.

 

[vincent]

kun je dit even in nederlands overtikken, ik snap er niks van:eusa_doh:

 

[vincent]

en niet online vertalen aub. :116:

 

[Fuwa Fuwa]

Ik zal er dan vandaag mee beginnen, ik hoop het dan tegen het weekend al af te hebben.

 

[.Aeterno]

de Edit knop gebruiken is te moeilijk zie ik, Vincent

maar goeie post. ik vroeg me altijd al af wat R5 betekende.

 

[Freddy]

Thanks! Ik vroeg me ook al jaren af wat het nou allemaal precies betekende en de verschillen ertussen.
Maar nooit de moeite genomen om het op te zoeken

 

[Fuwa Fuwa]

NL vertaling toegevoegd.

 

[Johnny]

PAL = ??

vraag ik me al zolang af

 

[.Aeterno]

Phase Alternating Line - Wikipedia

PAL (Phase Alternating Line) is de Duitse standaard voor analoge kleurentelevisie-uitzendingen. Het wordt gebruikt in West-Europa (behalve Frankrijk) en in een groot aantal andere landen.

PAL wordt haast altijd gecombineerd met de televisiesystemen B en G of een ander systeem met 625 lijnen per beeld en 25 beelden per seconde. De lijnfrequentie wordt daarmee 15625 Hz, de karakteristieke fluittoon van televisies die jongeren nog kunnen horen.

Brazilië is een uitzondering, hier wordt PAL gecombineerd met het Amerikaanse systeem M, dus met 525 lijnen en 29,97 beelden per seconde.

De kleurinformatie wordt meegestuurd als twee kleurverschilsignalen die in kwadratuurmodulatie op een hulpdraaggolf zijn gemoduleerd. Bij systeem B en G heeft deze een frequentie van 4.433.618,75 Hz. Door deze manier van coderen blijft het signaal compatibel met zwart-wittelevisies. Het nadeel dat dergelijke signalen niet goed te decoderen zijn als de kleurendraaggolf in de ontvanger ook maar iets in fase verschilt, wordt in PAL opgelost door de fase van het signaal na iedere beeldlijn om te keren en deze met de voorgaande beeldlijn te vergelijken. Vandaar de naam PAL. Het resultaat is nul fasefout met hooguit een kleine kleurverzadigingsfout.

Sinds 1976 worden enkele van de bovenste (onzichtbare) lijnen ingezet voor het transport van tekstinformatie, de zogenaamde teletekst.

 

[Fuwa Fuwa]

EDIT: zie post hierboven

 

[Freddy]

Ik heb de opmaak van jouw post verbeterd